Where I go from here

For a while now, I have been struggling to find where I belong in this city, where I want to go with my photography, and what I want to do with my life. It seems to be the theme of all of my 20-something friends right now. We’re all reaching that point where the honeymoon of post-college life is over and we’re finding out the real world isn’t quite as easy to navigate as we thought. Even if we knew it would be difficult, knowing and experience are two different things. While I think this can be a common experience for a lot of people, as an INFP (my Myers-Briggs personality type), I’m much more of an idealist. When it comes to my photography, I have a very pure ideal for what I want to do. And yet, very rarely does my ideal match up with the real world, day to day demands of paying rent, getting out of debt, and putting food on my (non-existant) table.

So far I’ve managed to separate my ideal and the real. Since a few months ago, I decided to start doing my own shoots entirely for myself, and they were the most fulfilling shoots I’ve ever done. But to pay the rent I’ve had to work full time at a grocery store, work that is entirely unfulfilling to me. Balance has allowed me to keep my sanity the past year, but I’ve begun to see how short term this balancing act has to be before I lose it. I can’t work at a grocery store forever, no matter how awesome of a grocery store job it is. My idealism won’t allow it. And yet my recent foray into personal portrait shoots solely as a creation of art has ruined commercial portrait shoots for money in my mind. It’s not that I don’t want to do any at all, but doing the amount I’d need to do to try and make a living off of them, I would certainly burn out quickly, compromising my ideals to the point that I wouldn’t even want to do my own shoots anymore. And that’s the last place I ever want to be. So if I know that much, where do I go from here? After a lot of thinking, I feel I’ve come to what might be the best solution.

Weddings. I’ve done a few weddings in the past, but I told myself I’d never be a wedding photographer. So much stress, pressure, and I always felt like all wedding photos pretty much looked the same. But I realize now that weddings have an aspect that I love about photography. It’s not about trying to “sell” the person you’re photographing, as it is with bands or fashion. It’s documentary, but with an artistic, classical portrait twist. Wedding photos don’t try and present people as something else other than what they are at that moment. Yet, unlike straight up documentary photo journalism, you have those shots where you get to direct the person, shape the shot into your artistic vision, and present a view and feel of the person through your own eyes. My idealist nature loves that about wedding photography. And yet, the realistic demands of life can be met too. Weddings have a bigger “bang”. A single wedding shoot pays more than a standard portrait shoot because it’s like several shoots all packed into one. Because of this, I can do fewer overall shoots spaced out and still have enough free time that I don’t get burned out on all photography, and I still have time to do my own portrait shoots without worrying about getting money involved.

Of course, this is all easier said than done. It will take a lot of work to get to the point where I’m getting enough wedding shoots to quit my normal job. But this feels right. So I have to at least try. I’ve already completed the first step of creating a standard pricing and package list for any potential clients. Marketing is something I feel like I’ve never been good at, but I’m hoping to learn. I’d like to start building a more current wedding portfolio since it’s been almost a year since my last wedding. I’ve got a wedding in July I’ll be shooting, and possibly one lined up for September. But I’m hoping to find some more ways of building my portfolio like second shooting. So if any of you photographers out there are looking for a second shooter, please contact me. For anyone else, if you or someone you know were recently engaged and might be interested in me shooting your wedding, please feel free to contact me and I can discuss with you more about what I can offer.

Laura

Laura

This is Laura. Yesterday we braved the cold along with Michael to take some photos in the snow. Laura owns a ton of vintage film cameras that don’t work (though I suspect some still do). She doesn’t have any winter clothes despite being from Chicago. And she’s probably the first “Faces” person I’ve done that was more excited about the Polaroid popping out and seeing it than I was (and I was pretty excited).

Laura is an incredible photographer who I was very happy to meet. The first time I saw her photos, I thought they were so good that I might as well just quit right then. After finding out that she’s only been doing it for a little over a year, it pretty much sealed the deal.

See her photos at http://dartphotographie.com/

Favorite Music of 2009

Before I get in to it, I just want to give a couple disclaimers. First of all, I don’t claim for this list to be a “best of” list. It’s my favorites of the year. Of course I do think that some of my picks are objectively the best music from the year, but I realize it’s difficult to separate my subjective tastes, let alone the fact that I have not and could not possibly listen to all the music released this year. The second disclaimer is that I wanted to put more thought in to this. I started giving some albums a second chance that maybe I originally only gave a cursory listen to originally. But time kept passing, and it’s already 2010, and there’s no point living in the past. I want to move forward and get this list out of the way. I’m just already so excited about some of the music being released in 2010, it just makes trying to figure out what I liked about 2009 kinda lame. So, having said that, I could probably have made a list I’d be more happy with in terms of ranking and such, and I wanted to include my favorite song from each album and have it streamable via Grooveshark. But that is all too much work considering I’m not getting paid for this. So here it is, my top 25 albums of 2009.

  1. Grizzly Bear – Veckatimest
  2. St. Vincent – Actor
  3. Volcano Choir – Unmap
  4. Mew - No More Stories / Are Told Today / I’m Sorry / They Washed Away // No More Stories / The World Is Grey / I’m Tired / Let’s Wash Away
  5. Passion Pit - Manners
  6. Jónsi & Alex – Riceboy Sleeps
  7. Dirty Projectors – Bitte Orca
  8. Phoenix – Wolfgang Amadeus Phoenix
  9. David Bazan – Curse Your Branches
  10. Ramona Falls – Intuit
  11. Animal Collective – Merriweather Post Pavilion
  12. Asobi Seksu – Hush
  13. Atlas Sound – Logos
  14. Paper Route – Absence
  15. Do Make Say Think – The Other Truths
  16. Wilco – Wilco (The Album)
  17. The Antlers – Hospice
  18. Andrew Bird – Noble Beast
  19. Neon Indian – Psychic Chasms
  20. Black Moth Super Rainbow – Eating Us
  21. Sufjan Stevens – The BQE
  22. Tiny Vipers – Life on Earth
  23. Harlem Shakes – Technicolor Health
  24. Camera Obscura – My Maudlin Career
  25. Kings of Convenience – Declaration of Dependence

“I take pictures because…

“…it’s a way of saying something without having to say something literal. To say something that can be both abstract and simple. I get a bad feeling when people talk about ‘capturing’ something with photography. That way of thinking seems lazy and false. For me it has much more to do with the impulse to pretend or to remember something creatively. Seeing something real and wanting to imagine how that real thing would be if it were a fake thing. Alienating and distancing. Putting the artifice of a lens between myself and reality. Forcing the present into the past, and so on.”

//photos and quote by Dusdin Condren

(via feaverishphotography)

Allison (and the mystical woodlands)

Soon after taking Allison’s portrait for my Faces project, I asked if she’d be willing to do a test shoot with me. I’ve been wanting to do a shoot at Cheekwood for months since I’d seen a photo by Kate Pulley on Flickr. Lately I’ve been inspired a lot by photos like that. Photos that are somewhat surreal, unsettling, eery, but also magical. And then there was something about Allison. It’s one of those things you can’t quite put in to words about a person. She had this look, this “aura” if you will, that I just felt like would go well with the photos I had been trying to develop in my head. And so I asked her to do this shoot. Allison was a pleasure to shoot with and was willing to go out in the cold and the threat of rain to get the photos.

Mamiya C33
Kodak Portra 400VC
Fuji Provia 100f

Polaroid SX-70
Polaroid “Fade To Black” Artistic Time Zero