Seafaring Wanderer - Morph Knitwear 2016 Collection II

A new editorial shot along the Oregon coastline for Morph Knitwear’s second 2016 collection entitled “Seafaring Wanderer”.


“Seafaring Wanderer” is a collection of garments inspired by the sea and those who work upon its waves and shore. It is my answer to the call of the sea, my interpretation of the places where land, sea, and sky collide in a vast violent caress. Many of the shapes used in this collection are influenced by traditional clothing worn by the fisherfolk of the northern British Isles and other rugged coastal areas, and are meant to be worn for both work and leisure.”

I loved this new collection and the ideas behind it. We set out to tell a story of a woman wandering along the shoreline - at home among the waves, yet lost and longing for what once was.

All clothing designed by Morph Knitwear
modeled by Ana Aida

The Siren’s Dream

Blogs don’t have to be chronological, yes? I’ve been bad at keeping up with this. I’ve shot some stuff between my last entry and this shoot, and lots of stuff shot between this shoot and right now, but who cares? My blog, my rules.

This set was shot with Pallas down in the Columbia River. I had this idea in mind for a while, just needed to make it happen. I used an interesting light streaking filter over the lens on most of these. It didn’t quite do exactly what I had in mind because we lost direct light right after getting to the river beach, but it still accomplished the hazy, dreamy look I was going for.

Shot with digital, Kodak Portra 160 medium format film, and Kodak Gold 200 35mm film.

Aurora… and thoughts on art and creativity

The past few weeks, I’ve been feeling this aching feeling. It’s much like growing pains. This is common for artists, but I think it’s especially common for me. Every time I feel like my work is getting better than it ever has been, all I need to do is simply wait a few weeks or months till I feel the exact opposite. Ultimately, it forces me to change things up and push myself in new directions, which is good. But being in the middle of that down-on-yourself phase is rough.

I use this as a preface to the shoot I’m posting now because it’s been this feeling that is a big reason why I’ve begun to go back to shooting more film. Up till now, the past couple years have been about shooting more digital, often out of necessity. Necessity and limitations can be great at challenging artists to create great work from within those confines. Some of the greatest artists of all time in any medium have done this. But when it comes to being able to make artistic choices based off of what truly connects with us on a deeper level, this must be the artist’s choice whenever possible. And for me, that’s shooting film. Ironically, film has it’s own set of limitations. But I’ve found that my extended vacation in the land of digital has given some different perspective, and I’m hoping it leads me out of the creative muck I’m feeling lately.

Anyways, here are some photos from a recent shoot with Aurora, who I’ve been wanting to shoot with for months, but timing never worked out. 95% of the photos here are shot on 35mm film, either Kodak Portra 400 (all the indoor shots) or Cinestill 50D (all the outdoor shots).

Using Format